New Zealand is known for its technological portrayal of statistics and information. From the innovative real-time portrayal of 3D America’s Cup races to analogue on-field advertising in skewed perspective to heartbeats-per-minute of bowlers in one-day internationals, New Zealand viewers and audiences have come to expect layers of information. In Pranesh Lal’s project entitled Ze.nith, he has considered the experience and expectation of the modern user.
With the incessant reinvention of new ways of presenting, the virtual world touches contemporary life in more ways than realised. These new ways of showcasing material …
![Incarnate.The[in]complete moving image works of Karen Karnak 1991-2009](http://ramp.mediarts.net.nz/wp-content/themes/ramp_gallery/scripts/timthumb.php?src=/wp-content/uploads/2010/05/incarnate.jpg&w=150&h=150&zc=1&q=100)
Karen Karnak came into existence of multiple parents on the 13th May 2009. In a few short moments she has learnt to create art, that is, of course, if you consider this collection of random images and sound equal to that esteemed title. From this early start of multiple origins there was no going back; the complex narrative of the body of work forms the manifestation, which we shall call Karen Karnak. Karnak works with many hands, many eyes and attempts to escape the confines of a fixed identity using …
